Nabil Anani
Nabil Anani (b. 1943) is a Palestinian artist and one of the founders of the contemporary Palestinian art movement. Anani was awarded (by Yasser Arafat) the first Palestinian National Prize for Visual Art in 1997 and became the head of the League of Palestinian Artists in 1998. On retiring from his teaching post in 2003, Anani has dedicated much of his time to voluntary pastimes, leading on the League’s activities and playing a key role in the establishment of the first International Academy of Fine Art in Palestine.
Najib Albina
Najib Anton Albina (2 January 1901 – 23 July 1983) was the master photographer of the Palestine Archaeological Museum and, in that position, took the first original sets of photographs of the Dead Sea Scrolls. Through his positions with the American Colony and Palestine Archaeological Museum, he used photography as a means of recording the history of Christian Palestinian culture as well as the discovery of past cultures in the region. He had a significant impact on the techniques of archeological photographers, especially those who took pictures of the Dead Sea Scrolls, through his contributions to the use of infrared photography.
Nidaa Badwan
Nidaa Badwan (b. 1987) is a UAE born, Gaza raised, artist who works with photography. She is a graduate of the Fine Arts School of Gaza's Al Aqsa University.
https://www.huffpost.com/entry/nidda-badwan-100-days-of-solitude_n_57ffc616e4b0e8c198a6be0c
Nisreen Abu Baker
Nisreen Abu Baker (b. 1977) is an artist that deals with issues of gender, feminism, Palestinian-Israeli conflict, and women's place in Arab society. Her work includes multimeida installations using ready made material, industrial material, painting, and video art.
Noor Abed
Noor Abed (b.1988 Jerusalem) is an artist and researcher based in Ramallah. Her recent practice examines how forms of resistance and cultural production have shifted with the emergence of a neoliberal economy in Palestine. Through the lens of social choreography and movement analysis, the research questions how the illusion of post-colonial conditions, new forms of localism, and societal normalizations are developing through capitalist development within colonial powers.